Sex and sexualities

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New Czech quaterly feminist magazine launched by two NGOs based in Brno (NORA and NESEHNUTÍ Brno) - first issue published in December 2010: "Our goal is to strengthen Czech feminism, promoting women's rights and gender equality in the north-western and south-eastern part of the world. The magazine is a non-profit and largely volunteer activity of persons active in the Czech feminist space."

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Viennese zine; two issues have been published so far, issue #1 can get dowloaded; emphasis on arts/illustration, riot grrrl culture, popular culture, body & body politics, sexuality, etc.

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Clio is a German feminist Women's Health magazine published twice a year by the feminist Women's Health Center in Berlin dealing with women's health, body politics, women's sexuality etc. from a feminist point of view

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clio - Die Zeitschrift für Frauengesundheit - beinhaltet feministische Einschätzungen zu gesundheitspolitischen und frauengesundheitsspezifischen Themen sowie umfassende Informationen zu Erkrankungen und ihren unterschiedlichen Behandlungsmöglichkeiten.

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Swedish femzine founded 1998; in 2000 bleck became more magazine-like, but the last number was published in summer 2003 (still existing?); emphasis on popular culture, literature, sexuality/porn, feminist/queer theory, violence etc.

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bleck startades 1998. De åtta första numren kopierades och häftades. Dessa nummer är sedan länge slut - du kan inte beställa dem. Sedan nr 1/1999 trycks tidskriften. Nya nummer ges ut med ojämna mellanrum. bleck samarbetar inte med något förlag. Inte ens med Ordfront som det ibland påstås.

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Weekly (Sun 20:00-22:00) Belgian queer radio show on Pure FM (radio channel of the French speaking public radio/TV broadcaster RTBF) with an emphasis on LGTB issues and culture, (popular) culture, gender issues and (queer) feminism, sexuality and sexual minorities, news, literature etc.

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ABOUT SHEBA FEMINIST PRESS

Sheba Feminist Press was established in 1980 -- one of a handful
of small independent publishers born of the UK women's movement
during the 70s and early 80s. The new feminist presses turned
their backs on the high-modernist clique then firmly in control
of the British book scene, and looked instead at what that world
literally couldn't see: the writing of women who hadn't been to
Oxford or Cambridge, and who weren't necessarily white or
heterosexual or middle-class, and who didn't speak with the
polished vowels of Bloomsbury. The new