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re.act.feminism - a performing archive

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re.act.feminism #2 - a performing archive
Archive / Exhibitions / Workshops / Performances / Talks / Research
6 October 2011 — 1 September 2013
re.act.feminism #2 - a performing archive is a continually expanding, temporary and living performance archive travelling through six European countries from 2011 to 2013.

It presents feminist, gendercritical and queer performance art by over 120 artists and artist collectives from the 1960s to the beginning of the 1980s, as well as contemporary positions. The research focus is on Eastern and Western Europe, the Mediterranean and Middle East, the US and several countries in Latin America. On its route through Europe this temporary archive will continue to expand through local research and cooperation with art academies and universities. It will also be ‘animated’ through exhibitions, screenings, performances and discussions along the way, which will continuously contribute to the archive.

This web page is designed as a research tool providing information about all artists and activities in short summaries, pictures, texts and tags. It will continue to grow in sync with the ongoing exhibition and archive programme.

Current programme
16 June 2012 – 19 August 2012
Museet for Samtidskunst, Roskilde, Denmark


Future events
27 August 2012 – 23 September 2012
Tallinna Kunstihoone, Tallinn, Estonia

15 November 2012 – 17 February 2013
Fundació Antoni Tàpies, Barcelona, Spain

21 June 2013 – 18 August 2013
Akademie der Künste, Berlin, Germany


Previous events
5 May 2012 – 26 May 2012
Galerija Miroslav Kraljević, Zagreb, Croatia
Archive, Workshops, Discussion

23 March 2012 – 22 April, 2012
Instytut Sztuki Wyspa, Gdańsk, Poland
Exhibition, Archive, Lectures

6 October 2011 – 15 January 2012
Centro Cultural Montehermoso Kulturunea, Vitoria Gasteiz, Spain
Archive, Exhibition, Lectures & Performances

re.act.feminism #2 - a performing archive is part of the long-term project re.act.feminism. Since 2008 re.act.feminism explores feminist and gendercritical performance art from the 1960s to the early 1980s as well as the ‘return’ of this artistic practice in the form of re-enactments, re-formulations and archival projects.

Performance art developed into an independent art form in the 1960’s & 70’s, firmly establishing the body and actions of the artists and audiences involved as a medium of art. It has been in great demand for a number of years. This is partially motivated by the historisation of this ephemeral art form as well as the active appropriation of its history by a younger generation exploring the relevance of a potentially resistant, subversive artistic practice today.

In the context of the current trend of historicising and institutionalising performance art, our goals are:
– To investigate feminist, gendercritical and queer strategies within performance art, which set the tone for this medium from the beginning.
– To go beyond current strategies of canonization and stress the diversity of performative practices and correcting blind spots.
– To create a critical and thematic cartography to promote a transcultural and cross-generational dialogue.
– To highlight the complex relationship between live performances, their traces and documents, and their reception.

The works in the archive have been chosen based on their potential and relevance for today’s feminist and queer debates and artistic strategies. They allow us to see the power relations inscribed in the body as well as its potential for resistance and for pleasure, and to discover singular subjectivities and connections between life and art.

The project is based on the idea of a living archive, emphasizing the use, appropriation, and re-interpretation of documents: What effect does the performance document have in the moment of its reception, what does it do? What kind of relationship does it create between the past and the future, between its author and recipient? What types of references, new relations and future potentials does the archive offer?

re.act.feminism takes us therefore on a time travel, inviting us to engage in a lively dialogue beyond the limits of time and space. Our focus is not on historical reconstruction, but rather on ‘infecting’ gestures and productive translations.

The completion of the project is set for the summer of 2013 in Berlin, where the results of the preceding trajectory and the research by partner institutions will be presented. Furthermore, a bilingual exhibition catalogue, documenting the entire project, will be published.

A project by cross links e.V., Berlin Curators / artistic directors: Bettina Knaup, Beatrice Ellen Stammer


Type of project: 
Performance & theatre play
other type of project: 
Online archive
Date of project: 
10/06/2011 - 08/18/2013
Timerange, Issue-nr, ...: 
2011 - 2013